Selwyn Birchwood

Selwyn Birchwood

“No one in blues compares to young Florida-based guitarist Selwyn Birchwood. With the quality of his material, combined with a vibrant stage persona, there’s no need to borrow tunes from the greats who went before him. Lean yet mean and tough…lyrically and musically intense” —American Songwriter

“Rising blues star Selwyn Birchwood is the real deal. Birchwood puts his own fresh spin on the blues, taking the tradition and making it into something new.” —Guitar World

Although award-winning Florida musician Selwyn Birchwood is firmly rooted in the tradition, the young guitarist, lap steel player, songwriter and vocalist sets a course for the future of the blues with his visionary, original music. Birchwood, whose band features the pulsating interplay of his blistering guitar with Regi Oliver’s driving baritone sax, deploys a singular sound and style all his own. He calls it “Electric Swamp Funkin’ Blues,” an intoxicating mix of deep blues, blistering, psychedelic-tinged rock, booty-shaking funk and sweet Southern soul, played and sung with the fire-and-brimstone fervor of a revival tent preacher with a hellhound on his trail. Tastemaker Americana music magazine No Depression says, “Selwyn Birchwood reaches back in the blues tradition to launch something out of this world.”

On his new release, Exorcist (his fourth for Alligator and sixth overall), Birchwood delivers the most far-reaching, musically adventurous album of his career. Exorcist was recorded in Florida and produced by Grammy Award-winner Tom Hambridge, with each of the 13 vividly detailed songs written and arranged by Birchwood. The soul-baring tracks all hit with lasting rhymes and unexpected rhythms. Each twists its own tale, ranging from the love-gone-wrong Horns Below Her Halo to the love-gone-terrifying Exorcist to the ripped-from-the-headlines escapades of FLorida Man and Swim At Your Own Risk to the autobiographical Underdog. According to Blues Music Magazine, “Selwyn Birchwood heralds a fresh, exciting new direction in the blues. Toe-tapping, hip-shaking, joyful and inviting…expansive and focused, exploratory and time-honored, but always original.”

Live, Birchwood is a force of nature. His ability to win over an audience–any audience–is proven night after night on the bandstand. With his warm, magnetic personality, Birchwood is as down-to-earth as his music is thought-provoking and electrifying. With his band feeding off his energy, the 6’3″ musician roams the stage barefoot, ripping out memorable guitar licks with ease, his soulful, rocks-and-gravel vocals firing up his fans. When he sits down to play his lap steel, he takes the crowd to a whole other level, with the music exorcising any bad times and troubles.

Birchwood, his father from Tobago, his mother from the UK, was born in 1985 in Orlando, Florida. He first grabbed a guitar at age 13 and soon became proficient at mimicking what he heard on the radio. But the popular grunge rock, hip-hop and metal of the 1990s didn’t move him. And then he discovered Jimi Hendrix. “He was larger than life. What he did was mind-blowing.” As luck would have it, just as Birchwood was learning Hendrix’s guitar playing was steeped in blues, legendary bluesman Buddy Guy–a major influence on Hendrix–was scheduled to perform in Orlando. Birchwood was there, front and center. “I was floored,” he recalls. “I completely connected with the blues. I knew this was my path, and I had to make this music.” He dove deep, listening to icons including Albert King, Freddie King, Albert Collins, Muddy Waters, Lightnin’ Hopkins and of course, Buddy Guy. “The flood gates opened,” says Birchwood, “and at that point I started trying to absorb as much as I could.”

At 19, Birchwood met and connected with veteran blues guitarist Sonny Rhodes, who was instantly impressed by the enthusiastic young guitar slinger. Within one month’s time, Rhodes asked Birchwood to pack his bags and join him on the road. Rhodes took the young man under his wing, teaching him not only guitar and lap steel, but also how to conduct business, how to run a band, and how to reach an audience. “Sonny always said, ‘Play what’s in your heart.’ I’ve never lost sight of that,” says Birchwood.

Birchwood treasured his time with Rhodes but was adamant about completing his college studies. Rhodes, as a tribute to Birchwood’s drive and talent, made it clear to the young musician that he would hold the rhythm guitar spot in his band open for Selwyn whenever he was available. Birchwood–through hard work and scholarships–received his MBA from The University of Tampa. Combining the musical lessons learned from Rhodes and his business acumen, Birchwood created The Selwyn Birchwood Band in 2010, featuring seasoned, veteran musicians who had chosen to play with the new kid–a testament to Birchwood’s talent and leadership skills.

In 2011 the self-released, self-produced FL Boy helped the band land gigs outside of their Florida base, where they were already becoming local heroes. After winning the 2013 International Blues Challenge in Memphis (beating 150 other bands), Birchwood found doors swinging open. He took a giant step forward in 2014 with his Alligator Records debut album, Don’t Call No Ambulance. Rave reviews ran in publications from Rolling Stone to The Wall Street Journal, from The Chicago Tribune to The San Francisco Chronicle. The album won both the Living Blues Award and the Blues Music Award (BMA) for Best New Artist Debut. He followed in 2016 with fan-favorite Pick Your Poison and, in 2021, with the groundbreaking Living In A Burning House. He won the coveted BMA Song Of The Year Award for that album’s I’d Climb Mountains.

Radio has supported Birchwood from the beginning, with Living In A Burning House being his most successful record at radio to date. The album appeared at or near the top of every significant domestic and international blues chart, including #1 on the Living Blues Radio Chart. In addition, Birchwood had multiple songs reach heavy rotation on SiriusXM’s Bluesville, while crossing over to AAA (Adult Album Alternative) stations, jam band specialty shows and tastemaker NPR Music stations, including acclaimed Americana influencer WMOT in Nashville.

The Selwyn Birchwood Band tours virtually non-stop. They have performed at The Chicago Blues Festival, Portland’s Waterfront Blues Festival, The Mississippi Valley Blues Festival, The Tampa Bay Blues Festival, The North Atlantic Blues Festival, The King Biscuit Blues Festival, as well as on The Legendary Rhythm & Blues Cruise and Joe Bonamassa’s Keeping The Blues Alive At Sea Cruise. Internationally, they have appeared at The Great British Rhythm & Blues Festival, Jazz a Vienne in France, the Rawa Blues Festival in Poland, the Moulin Blues Festival in the Netherlands, the Ottawa Blues Festival and the Montreal Jazz Festival in Canada, the Montreux Jazz Festival in Switzerland, as well as playing concerts in Spain, Norway, the Czech Republic, Ireland, Belgium and Mexico.

Now, with Exorcist, Selwyn Birchwood and his band are ready to get back on the road and deliver the new songs live to expanding, enraptured audiences around the world, lifting spirits while banishing demons. Asked what fans can expect when they see him, Birchwood replies, “My goal is to be sure you cannot listen passively. We’re going to make you dance, and we’re going to make you think.” One listen to Exorcist will no doubt convert many new true believers: this is visionary contemporary blues written and performed by an endlessly creative, modern-day blues master.

Take a 15-time IBMA (International Bluegrass Music Association) Dobro Player of the Year and a Tennessee-born guitar prodigy called “Nashville’s hottest young player” by Acoustic Guitar magazine, and you have Rob Ickes and Trey Hensley, a powerhouse acoustic duo that has electrified the acoustic music scene around the world. Known for their white-hot picking and world class musicianship, as well as their soulful stone country vocals, the GRAMMY® nominated duo cleverly and uniquely melds bluegrass, country, blues, rock, jamgrass, and string band music of all kinds to create a signature blend of music that defies restrictions of genre. NPR has called Ickes and Hensley “two musical phenoms”; Vintage Guitar raved they’re an “acoustic firestorm” who “are changing the rules”; Acoustic Guitar describes their sound as “steel-string bluegrass with all the intensity of rock ‘n’ roll” and No Depression observed they’re “two of the finest musicians playing today.”

Ickes and Hensley have shared the stage or collaborated with Tommy Emmanuel, Taj Mahal, Vince Gill, David Grisman, Jorma Kaukonen, Marty Stuart, and Steve Wariner—all admirers of the duo. Ickes, the most decorated musician in IBMA Awards history and former founding member of bluegrass “supergroup” Blue Highway and highly sought-after Dobro master, has graced the recordings and concerts of artists such as Earl Scruggs, Merle Haggard, Alison Krauss, Tony Rice and more. Hensley, who earned IBMA Guitar Player of the Year nominations for the past three years, made his Grand Ole Opry debut at the age of 11 (thanks to an invite from Marty Stuart with Earl Scruggs) and has appeared on stage with the likes of Johnny Cash, Peter Frampton and Old Crow Medicine Show.

All three of the Compass Records albums released by Ickes and Hensley have received widespread acclaim, including their debut Before The Sun Goes Down, which garnered a GRAMMY® nomination, and the combo’s current release World Full of Blues, which features collaborations with Vince Gill and Taj Mahal. Ickes and Hensley teamed with guitar master Tommy Emmanuel for a very special EP, Tommy Emmanuel – Accomplice Series Vol. I With Rob Ickes and Trey Hensley (released May 7, 2021 via Emmanuel’s label, CGP Sounds) to critical acclaim. The three high-powered guitar virtuosos performed together on the Grand Ole Opry on May 8, 2021 and from famed Nashville venue 3rd & Lindsley on May 9, 2021 via worldwide broadcasts to celebrate the release of the project. Ickes and Hensley have completed their fourth record for Compass Records with GRAMMY®-winning producer Brent Maher, which is set for release in early 2023.

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